Lists are, to my mind, a way of categorizing those things that generally defy categorization. They're also just a cop-out for reminiscence. I tend to shy away from lists that show up this time of year, mainly because what I think is the best so-and-so of the past year (or decade) probably won't match anyone else's -nor should it. Memories are personal things, like opinions, and rather than arguing over veracity or validity, I tend to find a deeper meaning in simply reading the personal remembrances of others -for instance, someone's most memorable meal or personal highlight for the year -as opposed to any top ten list that's designed (usually solely) to ruffle feathers.
So here, in no particular order, are just a few of my favourite 2009 highlights:
The Canadian designer best known for her exquisite leather goods ventured into the world of clothing at the start of this past autumn's LG Fashion Week. The pieces were interestingly presented in artist Thrush Holmes' studio, located along Queen Street West in Toronto.
What made this marriage of fashion and art so fascinating were the various intersections between creativity and commerce; with the muted colours and billowing folds of Jensen's pieces draped onto white, faceless, feature-less mannequins, Holmes' studio resembled something of a retail space; it was less creation, and more consumption. But placed together with the work of Jensen's photographer-husband (which definitely had hints of Sugimoto in its contemplative simplicity), the set-up encouraged lingering, contemplating, and connecting different ideas and pressentations. The links between the source of her inspiration (the moody climate of the American Eastern seaboard) and the end result (simply-constructed pieces in an array of pre and post-storm colours) was made clearer, with the space transformed into an intriguing mix of old and new definitions of art, artfulness, creation and commerce. Nicely done.
The Eastern European singer, in Toronto this past June for the Luminato Festival of Arts and Creativity, proved to be wonderful, charming, curios conversationalist, and it remains one of my favourite interviews. His first appearance here -he played two shows, the first being a massive, open-air show in a main square in the city's core -was met with a riotous response. Singing, clapping, dancing, climbing the scaffolding -and two of the city's main roads closed -all for a man who doesn't sing in English (okay, one song). His concert the following night -in a smaller club, the celebrate the release of his Best-Of album -was warm, ebullient, joyous, and raucous, and brought me closer to my own Eastern European background than I'd ever been before. It also re-awakened my love of dance. Easily one of the most musically fascinating -and personally important -concerts of my life.
The Robert LePage-directed work received its world premiere at the Four Seasons Centre for the Performing Arts this past fall. I had my doubts about pairing Stravinsky and the Quebec-born artist, mainly because the former's music is, to my ears, so incredibly difficult at points. Where -how -would LePage find his way into this? Find his way he did, though, with the use of creative puppetry, shadowplay, sumptuous costuming, and a pit-full of water. Using a fascinating visual palette that embraced the Russian flavour of the piece, as well as the piece's Oriental leanings, The Nightingale was a feast for the eyes, ears -and the heart. Easily one of the most memorable opera productions, ever.
From walking around Antony John's wonderous, beautiful farm, to attending the Brickworks Picnic, to tasting teas -and champagnes -at Hart House, this has been one heck of a great year, food-wise, for me. Not only have I expanded my professional (and photographic) repertoire by chasing these features, but I've received a great education in the process.
I've also become keenly aware of both my own purchasing power, and of the power of social media with regards to food. I was interviewed by AP reporter Michael Hill about my love of twecipes. And I've met and spoke with some truly wonderful people, some of whom I met via the wonders of the interwebs, including Food & Drink/Globe writer/author Lucy Waverman, Ruth Klahsen (the Queen of Monforte) and Maria Solokofski, the Guerilla Gourmet; there's been more enlightening yacks with raw milk farmer (and good food crusader) Michael Schmidt and Earth To Table authors/chefs Jeff Crump and Bettina Schormann, who were so informative, affable, and down-to-earth (irony intended) in their approach to food. More than ever, 2009 was the year in which my kitchen became my haven.
One more thing: I was profiled in Shameless Magazine. It's not very often I feel completely proud or satisfied with my work -creative, professional or otherwise (my inner critic is also a relentless bully) -but really, having this piece out there and so widely circulated was a personal boon, and the response I've received has been tremendous, and inspiring. I'm going to try to keep myself open to more of these good moments in 2010, and the decade it heralds.
Here's to continuing the magic.
Jessica Jensen / Thrush Holmes' studio photo by Kimberly Lyn.
Goran Bregovic photo by Imre Szekely.