The bright spot -and it's a weird bright spot -has been politics, specifically American politics. The race to the 2012 Presidential elections has been spectacularly theatrical, the personalities and behaviors ribald and riveting. Meltdowns! Mistresses! Racist rocks! Rocking racists! Bumps! Stumps! Ooops! Loop-de-loops! Since living in the United States, I just can't get enough of its mad, bad, dangerous-to-know, good/bad/ugly aesthetic. An American-born, Canadian-living friend told me she thinks of America as bacon: it's greasy, delicious, bad for you and good for your tastebuds. It's addictive, unhealthy, and even the smell of it is enough to convince you that you need it. Without it, so many other things would just be boring, grey... depressingly bland. November forever. Ugh.
Yet it's anything but bland in the world of Twitter. At every GOP debate, the microblogging site has resembled a hummingbird on meth: observations, opinions, fact checks, exchanges and retweets come at breakneck speed, with nary a moment to think twice. I've partaken and tried to keep up, @ing one person, RTing another, the new linguistics of a modern communication long and comfortably entrenched into my 21st century vernacular. More than an education, my enthusiasm for the spectacle of American politics has opened a door to connecting with some smart, witty, talented people, using a technology I couldn't have guessed at ten years ago. Perhaps that's the magic.
The sense of event-with-a-capital-E combined with all the elements of theater implies a shared love of real-life drama that in no way diminishes the seriousness of what's being discussed. Online users are like critics' unions, decimating, disassembling, disabusing and discarding, while offering credit where it's due. But unlike theater-theater, political theater is a forum where the off-stage antics of its players are every bit as vital -in a theatrical sense -as their onstage performance. While some larger networks utilize the commentary of silly tweeters in far to serious a manner, it's worth remembering that there are many credible, smart tweeters whose 140-character commentary blasts open new neural pathways, not to mention super-bright highways, along the freeway of 21st century American political life.
As if to match the velocity on that road, I find myself zooming by old interests. Trips to the art gallery replace the theater; the lecture hall goes before the symphony hall; the arena sits in lieu the club. Much as a reflection of my age, it's a reflection of shifting routes in those neural pathways (though I should add, I still love the theater and the symphony).
But the combination of politics and tweeting has brought out a childlike sense of play, something long missing amidst the grey November days.
During a recent GOP debate that I began exchanging theatrical-esque theories on roles for candidates, especially within a (not altogether unsuitable) high school setting. My talented companion and I decided Rick Perry would be the boisterous gym coach who urges you to run faster even though your lungs are ready to explode, Jon Hunstman, the possibly-swoon-worthy English teacher who, by tossing off an insulting comment about your favorite poet, turns you off for life. Herman Cain would be the ever-frustrated business teacher who puts his hands on his head when the class gets too loud, while Newt Gingrich is the perpetually sour-faced math teacher who gives you a yelling-at whenever you ask too many seemingly-dumb questions. Michelle Bachmann would be the history teacher who'd assign you an essay and write you another one back if she didn't like what you wrote. Rick Santorum would be the science teacher who'd argue with his own students, Ron Paul the classics teacher who'd go off on hour-long tangents and entertain student ideas about smoking in the caf.
Theater. Imagination. Possibility. Politics.
More, please. I love my bacon, and I'm not prepared to live without it.
Not now, or ever.